![]() ![]() ![]() ” This is this combined presence of problems of daily life and society which immediately aroused the support of the public and especially that of a family public “, abounds the author of the novels. Facing them, the heroine Julie Lescaut tries to impose her style, and seems to juggle with the injunctions of the time: to remain desirable and smiling, even funny, despite daily offenses, to establish her authority and to go above the presumption of incompetence that often accompanies women in the professional world.Įvidenced by the two sides of the plot, which oscillate between police investigations (one per episode), and Julie’s difficulty in reconciling professional life and family life. ![]() ” What does the little lady want with the boss? », throws a suspect at him with a mocking air. ” Commissioner “, alpaga a policeman from the first episode. Julie Lescaut, very ordinary heroineĪ screenplay project with limits, of course, but which nevertheless offers a good photograph of the time and the place of women in the world of work in the 1990s. A slightly essentializing project for women, who would therefore be useful in setting an example for a police force that is too brutal, too corrupt, and dare we say, too masculine Julie Lescaut is also, in the first season, the only female character in the series, with her two young daughters. His desire? “ Show that a woman cop, exemplary, mother of a family, could influence the way of behaving in the police. The author was aware of this when he created Julie Lescaut in 1992, ” the character was thinking outside the box “, he explains in the world “ in 2013. And for good reason, what a modernity this Julie Lescaut! While French television gives pride of place to male heroes – particularly in detective series, where women are relegated to secondary roles, even trophy women – Lecaye imagines a thirty-something, single mother, who finds her place in a bastion still very masculine today: the police. ![]() With “Star Academy”, the promise of a studious reality show (but still just as voyeuristic)Īdapted from the eponymous novel by Alexis Lecaye, one of the first major successful French series was nevertheless a risk-taking for TF1 investors when they bought the rights. ![]()
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